The best Body Painting youtube channels from thousands of youtubers on the web ranked by subscribers, views, video counts and freshness.Learn more
Going into its 21th year, The World Bodypainting Festival (WBF) held in the South of Austria has become the melting pot and gathering of artists from 50 nations. The massive growth of this festival has also been the platform for the development and awareness of an art form that twenty years ago was not known. It has also given birth to many projects around the globe in the name of bodypainting.
I am professional make up artist . Creative make up artist and skin illusionist Working murals and interior and exterior designs. I am offering body painting and face painting for movies and music videos.Directing music videos and short movies. Special fx make up Making video tutorials and vloggs on You tube.
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Welcome to the Chanel of Johannes Stötter, artist, musician and fine-art-bodypainter. He has always been a passionful artist and his works are influenced by spititual and nature-related themes.
Skin City was founded in 2006 by artist Robin Slonina, now a Producer & Judge on Skin Wars & Battle of the Salons. Skin City Body Painting studio in Las Vegas features the most talented, award-winning crew of painters, makeup artists and hair stylists, as well as photographers, models and circus performers in town, to form the best body painting team in the US.
Hi I'am Steph, I am body painter in France (body painting is makeup on the body) and I also draw 2 videos a week.
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Email us the type of gers you want to reach out for your marketing campaign at anuj@feedspot.com. We'll share ger's data in an Excel or CSV format.I f one thing has become obvious in the summer heat and the inevitable baring of flesh, it’s the degree to which body art is now the norm. At the pool, the park, or the pub beer garden, you’ll find an enormous variety of designs inked on the skin representing the breadth of human creativity.
About 20% of adults in the UK now have at least one tattoo, and that proportion is likely to grow. Cynics might argue that the increased uptake is a superficial fad, based purely on the aesthetic appeal of tattoos. In this view, they might be the result of a momentary impulse to follow a passing trend followed by years of regret, rather than something that holds deep meaning.
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Prof Viren Swami, a psychologist at Anglia Ruskin University who studies body image, thinks that these superficial explanations are highly unlikely. “Given their permanence, and the pain that’s involved, and the planning that often goes into getting a tattoo, it’s very difficult to conceptualise tattooing as a fashion accessory, ” he says.
In his opinion, it is far more interesting to examine the ways that people use body art for self-realisation, as artistic endeavours that are expressions of identity, body ownership, and personal growth. Many are now finding that tattoos are a particularly apt way of marking a bereavement – a means of holding the loved one close after death.
Like any art form, tattooing should be understood in its historical and cultural context. Our ancestors seem to have recognised the skin as a canvas since time immemorial. The oldest definitive proof of body art comes from Ötzi, the 5, 300-year-old body of a man who remained frozen in a glacier near Bolzano, Italy, until it was discovered by two hikers in 1991. He bore 61 tattoos of geometric designs across his left wrist, lower legs, lower back, and his torso. Ancient body art – dating from at least 3, 000 years ago – has also been found in human remains from Egypt, Russia, China and Chile.
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Given how widespread tattooing is – and apparently always has been – some psychologists have suggested it may have an evolutionary purpose. According to one theory, you would have needed to have a robust immune system to survive the danger of infection after getting your skin inked; if you survived, it could show that you had good genes to pass on to your children. In this way, it acted as a fitness signal, making you more sexually attractive to prospective partners. Swami, however, is unconvinced by the theory. “I think it’s much easier to understand tattooing from a social and cultural perspective than it is from an evolutionary perspective, ” he says. In other words, it is the way we use body art to express ourselves, within a particular context, that really matters.
The history of body art in Britain has been rather chequered. There are records of tattoos on indigenous Britons at time of Caesar’s invasion. Indeed, the practice was so widespread that the name Britain is likely to be derived from the Celtic word
Swami explains that tattoos gained renewed popularity after Captain Cook’s exploration of the Pacific, as sailors returned with designs inked by the people they encountered. “The twist in this tale, though, is that in the late 19th century, once the first electric tattooing machine had been invented, tattooing suddenly flipped and became very popular among the upper classes in England, ” he adds. “And for the upper classes, it was much more about expressing their worldliness.” (King George V even had a tattoo of a red and blue dragon.) Over the 20th century, however, the art form lost some of its cachet, and tattooing came to be linked to aggression and rebellion, thanks, in part to its visibility in the punk movement and gang culture, before its current return to the mainstream.
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It is tempting, Swami says, to link this movement to celebrities such as David Beckham or Angelina Jolie in the late 90s and early 00s, but he thinks the trend can tell us something more profound about our changing attitudes to the human body. Modern culture, he argues, has been very prescriptive about what we can do with our bodies – from societal attitudes to weight and fitness, to our expressions of gender or sexuality. Tattoos, he believes, have offered a way for people to exercise ownership and mark out their control over their flesh. “Tattooing can mean different things for different people, ” he says. “But I think this idea of agency is really important – the ability to mark our bodies and say ‘This is meaningful to me’.”
Over the past decade, Swami has performed a series of studies comparing the personalities of people with and without tattoos. Overall, he did find some signs that seemed to confirm the older stereotypes; people with body art were slightly angrier and more impulsive than the average person with unmarked skin, but the differences were tiny. “In statistical terms, they are negligible, ” he says. “Tattooed individuals today are essentially identical to people who have no tattoos.”
In one of his most intriguing studies, Swami examined people’s body image before and after they received their tattoos. He found that anxieties about their appearance, and general feelings of bodily dissatisfaction, immediately dropped after the participants’ skin had been inked. Importantly, the boost to their self-esteem was still evident in a follow-up three weeks later, suggesting that the effects were not simply a reflection of their excitement on the day itself – but may have represented a permanent change. “You can see the trajectory here, ” Swami says. “Once you get your tattoo, you feel much closer to your body.”
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Dr Joseph Pierre, a clinical professor in health care sciences at the University of California, Los Angeles, believes that the growing popularity of tattoos can also be traced to waning “puritanism” in the west. “Showing more skin in public – whether in terms of bare chests for men or sports bras in women – is increasingly accepted, ” he says. “With that much more skin exposed, adorning the skin with tattoos is just another way of presenting to the world that which previously remained hidden.”
Like Swami, Pierre believes that the personal appeal of tattoos often goes far beyond their aesthetic value. (He describes them as “windows to the psyche”.) “Tattoos are often telling an important story through art that isn’t expressed in words, ” he says. As a psychotherapist, he advises his colleagues to discuss body art as a way of opening up conversations “about other important issues or life events”.
Such assertions would seem to chime with the experiences of Mowgli, a tattoo artist and the owner of the Through My Third Eye studio in north London, who
